Obtuse is the meaning: visuality and ethnographic practice.

Authors

DOI:

https://doi.org/10.29340/en.v5n9.274

Keywords:

obtuse, address, ethnography

Abstract

What about the image that marks absence, when more than revealing it increases uncertainty? There, teetering on the currents of a river, a lump appears. Over here, closer, in a washed-out portrait, a wink is detonated. There are always opaque regions where bodies are formed. Between the dumbness and the change, waves escape. When the back is turned to the camera in a moment frozen by astonishment. Shadows that brush, that interplay with the sun's rays and the piercing noises of drills. There where there are material traces of a care suspended by disappearance. Every ethnographic encounter leaves records. Sometimes, from them emerge images that point to something singular, of fleeting temporality.

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Author Biographies

  • Richard Kernaghan , Universidad de Florida

    Richard Kernaghan is an ethnographer and associate professor in the Department of Anthropology at the University of Florida. He studies the nexus between aesthetics and legal phenomena, with a focus on rivers, transportation, and the political temporality of the landscape. Her first book, Coca's Gone (Stanford University Press, 2009) describes the aftermath of a cocaine boom through accounts from a coca-growing region of Peru known as the Upper Huallaga. In his next book, Crossing the Current (Stanford, 2022), he traces the territorial transformations of that same region after the military defeat of the Maoist insurgency Sendero Luminoso and reflects on the persistence of a war that ends without ending. There, the firmness of the past takes shape in the passing of the present, where image, matter and sensation unusually cross each other.

  • Gabriela Zamorano Villarreal, El Colegio de Michoacán

    Gabriela Zamorano Villarreal is a professor-researcher at the Center for Anthropological Studies at El Colegio de Michoacán and a member of the National System of Researchers in Mexico. Her current research project compares the production and circulation of photographic and audiovisual images related to indigenous peoples in Mexico and Bolivia. Her publications include Indigenous Media and Political Imaginaries in Contemporary Bolivia (University of Nebraska Press, 2017), Ethnographies of 'on Demand' Films: Anthropological Explorations of Commissioned Audiovisual Productions, co-edited with Alex Vailati (Palgrave-Macmillan 2021) and the De Frente al Perfil. Racial Portraits of Frederick Starr, co-edited with Deborah Poole (Colmich, 2012). He directed the documentary Archivo Cordero on the photographic archive of Julio Cordero, one of the most relevant in Bolivia. His academic work is nourished by curatorial activities in photography and film, and personal photography and video projects.

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Published

2022-03-21

How to Cite

Obtuse is the meaning: visuality and ethnographic practice. (2022). Encartes, 5(9), 1-27. https://doi.org/10.29340/en.v5n9.274