Popular music, globalization and economy. An introducction

Authors

DOI:

https://doi.org/10.29340/en.v4n8.255

Keywords:

Popular music, Globalization, Economy

Abstract

Introduction to the dossier: "Popular music, globalization and economy". The set of works that make up this dossier addresses issues related to the thematic convergence between globalization, popular music and economy, whose diverse and unequal universes require the help of different disciplines, such as ethnomusicology, sociology, social psychology and, importantly, social anthropology and its ethnographic method.

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Author Biographies

  • José Juan Olvera, Centro de Investigaciones y Estudios Superiores en Antropología Socia - Noreste

    José Juan Olvera Gudiño Professor-researcher at the ciesas-Northeast. Sociologist, PhD in Communication and Cultural Studies from Tecnológico de Monterrey. Member of the National System of Researchers, level 1. His current areas of research revolve around the economy and sociology of culture, particularly popular music. She has directed the project "Procesos regionales de construcción de la cultura en el noreste de México y sur de Texas: Los casos del hip hop y la música norteña", funded by conacyt. She has published Economies of rap in northeastern Mexico. Entrepreneurship and resistance around popular music. (2018, Mexico, Casa Chata), and coordinated. Economies of northern music (Mexico, Casa Chata, currently in press).

  • Shinji Hirai, Centro de Investigaciones y Estudios Superiores en Antropología Socia - Noreste

    Shinji Hirai Japanese anthropologist living in Mexico. He holds a PhD in Anthropological Sciences from the Universidad Autónoma Metropolitana, Iztapalapa, and is a member of the National System of Researchers level 1. His areas of research are transnationalism, anthropology of emotions and international migration. He is the author of the book Political economy of nostalgia. A study on the transformation of the urban landscape in transnational migration between Mexico and the United States. (UAM/Juan Pablos Editor, 2009) and the article "La nostalgia. Emotions and meanings in transnational migration", New Anthropology 81 (2014).

References

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Díaz-Santana, Luis (2018). Historia de la música norteña mexicana: desde los grupos precursores al auge del narcocorrido. México: Plaza y Valdés Editores.

Glick-Schiller, Nina, Linda Basch y Cristina Szanton Blanc (1992). “Transnationalism: A New Analytical Framework for Understanding Migration”, en Nina Glick-Schiller, Linda Basch y Cristina Szanton Blanc (ed.), Towards a Transnational Perspective on Migration: Race, Class, Ethnicity and Nationalism Reconsidered. Nueva York: Annals of the New York Academy of Sciences, pp. 1-24. DOI: https://doi.org/10.1111/j.1749-6632.1992.tb33484.x

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Olvera, José Juan, Ramiro Godina, Luis Díaz-Santana y Alfonso Ayala (2017). ¿Por qué una etnografía del bajo sexto y del acordeón para entender su economía? Documento de trabajo.

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Published

2021-09-21

How to Cite

Popular music, globalization and economy. An introducction. (2021). Encartes, 4(8). https://doi.org/10.29340/en.v4n8.255